After its December 15th debut, The Last Jedi has proven to be one of the most divisive Star Wars films of all time. New problems are pointed out every day, only to be met with disagreement from someone else. The weirdest part about this, though, is where those lines are drawn—and typically, from the bizarre complaints about the modern humor to the cultural anxiety around the diverse main cast, the crack reveals itself to be positioned between the old fandom and the new fandom, not the critics and the fans.
Speaking of fandom: What does the Star Wars fandom look like these days? One might typically interact with two types of people in their daily fandom life: First, the hardcore fan who grew up with the Luke Skywalker as their hero and who hold the original trilogy up as perfect cinema, and second, the equally as hardcore fan who had their awakening sometime between the prequels and Carrie Fischer’s death, who embraces the evolution of the media with open arms. Continue reading The Last Jedi is Damn Near Perfect Fanfiction Material. Here’s Why.
This year, the film I have most looked forward to seeing is Christopher Nolan’s Dunkirk. As a World War II buff and history teacher, when I heard this film was being made, my immediate reaction was, “Finally, a movie about the single most important event of the war.” Without the evacuation at Dunkirk, the Normandy Invasions might not have been possible, as a large number of that D-Day force was made up of those rescued from Dunkirk’s beaches. Because of the event’s historical importance, not to mention cultural significance, the subject matter deserves an expert director, an ensemble cast, and a screenplay that presents the material in a new, exciting way. With Nolan at the helm, and with a plethora of British stars, both old and new, Dunkirk is easily the best film of the year so far. Continue reading Christopher Nolan’s Cleverness Never Ends | Film Review: “Dunkirk”
When Pirates of the Caribbean: On Stranger Tides was released, I doubt anyone was more excited than I was at seeing the fourth installment of my favorite film franchise. By the time it ended, while I enjoyed the music, Geoffrey Rush’s performance, and Johnny Depp’s usual flapping, drunken demeanor, I wished the third had been the end. It was the perfect ending to the trilogy, you know? Sparrow singing “A Pirate’s Life for Me” to close the series just as a young Elizabeth sang it to open it seemed like a perfect, fitting finale. Alas, they ruined it with a fourth, nonsensical film (I’m still trying to figure out why Sam Claflin was even there to begin with), and so the need for a fifth and maybe even sixth was apparent. Not just for monetary purposes, but to fix what Producer Jerry Bruckheimer had clearly screwed up…and thankfully, Dead Men Tell No Tales cleaned up the disasterous fourth film WALL-E style.
[Spoilers ahead] Continue reading Return of The Sparrow: ‘Pirates of the Caribbean: Dead Men Tell No Tales’ – Review
Remember when these films were about street racing? The blockbuster action franchise has its eighth film now under its belt, and doesn’t appear to be stopping anytime soon. Once again bringing back the crew of the past films including Michelle Rodriguez, Ludacris, Dwayne Johnson, Tyrese Gibson and Vin Diesel. Continue reading Movie Review: Fate of the Furious
From Ben Wheatley, the mind behind films such as Sightseers and Highrise comes the new comedy Free Fire. The film follows the story of a Boston arms deal gone wrong. After gun dealer Vernon (Sharlto Copley) supplies his buyers, Chris and Frank (Cillian Murphy and Michael Smiley respectively) with the wrong type of guns. Things turn sour fast. With such a simple premise, it leaves effectively an hour long shoot out, entirely set in a run-down warehouse. Continue reading Movie Review: “Free Fire”